zero kill - definição. O que é zero kill. Significado, conceito
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O que (quem) é zero kill - definição

1965 FILM BY RUSS MEYER
Faster Pussycat! Kill! Kill!; Faster pussycat kill kill; Faster Pussycat Kill Kill; Faster Pussycat Kill Kill!; Lori Williams; Faster Pussycat, Kill! Kill!; Faster, Pussycat, Kill! Kill!; Faster, Pussycat! Kill! Kill; Faster, Pussy-Cat! Kill! Kill!
  • Stuart Lancaster (in wheelchair) as the Old Man

Zero (art)         
  • Günther Uecker, photo by Lothar Wolleh
  • Otto Piene, photo by Lothar Wolleh
  • Günther Uecker, Gropiusbau, Berlin
  • ZERO, Guggenheim, New York
GROUP OF ARTISTS
ZERO foundation
Zero (usually styled as ZERO) was an artist group founded in the late 1950s in Düsseldorf by Heinz Mack and Otto Piene. Piene described it as "a zone of silence and of pure possibilities for a new beginning".
Zero (linguistics)         
PART OF LINGUISTIC MORPHOLOGY
Linguistic zero; Zero pronoun
In linguistics, a zero or null is a segment which is not pronounced or written. It is a useful concept in analysis, indicating lack of an element where one might be expected.
Nancy Drew: Secrets Can Kill         
  • Cover art for ''Secrets Can Kill Remastered''
1998 VIDEO GAME
Secrets Can Kill (computer game); Secrets Can Kill REMASTERED; Nancy Drew: Secrets Can Kill Remastered; The Murder of Jacob Rogers; Secrets Can Kill; Secrets Can Kill Remastered
Secrets Can Kill is the first of many installments in the Nancy Drew point-and-click adventure game series by Her Interactive. Players took on the first-person view of fictional amateur sleuth Nancy Drew and solved the mystery through interrogation of suspects, solving puzzles, and discovering clues.

Wikipédia

Faster, Pussycat! Kill! Kill!

Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert.

The film is known for its violence, provocative gender roles, and eminently quotable "dialogue to shame Raymond Chandler". It is also remembered for the performance of star Tura Satana, whose character Richard Corliss called "the most honest, maybe the one honest, portrayal in the Meyer canon". Faster, Pussycat! was a commercial and critical failure upon its initial release, but it has since become widely regarded as an important and influential film.